The paper's due in six hours (which includes transportation time to Lowell). The body of it is mostly written, but I'm in the process of changing the introduction and conclusion, slightly altering the thesis. Something or other about playwrights using deception to draw in the audience. Not worded coherently yet. I was browsing through the online Literary Resource center with playwright as the keyword, and didn't come up with anything useful. I did find a distraction, of course. There is this line from an article about Harold Pinter: "...cricket, which was far more to Pinter than a game of bat and ball. He was not the first distinguished playwright to love the game. J.M. Barrie, Samuel Beckett and Terence Rattigan were cricket lovers, and the roll-call of modern dramatists in imaginary flannels makes a run-heavy batting order: Alan Ayckbourn, Tom Stoppard, David Hare, Simon Gray, Ronald Harwood." I don't have the time or the expertise to assign them all positions or to come up with an opposing team of poets or musicians or something, but I'm amused. I do know a very small amount about cricket. Saturday afternoon, walking past the South campus softball field after my Psych final, I noticed that the normally all-female all-American game preserve had been converted into an rather different thing, a cricket pitch entirely populated by men speaking a language I couldn't identify (not too surprising - I can't recognize any South Asian languages). I noticed that they'd set up stumps but there were no bails. I asked a spectator. He said that they weren't bothering because it was just for practice, and then said "you watch the game?" I mumbled something about having English friends and wandered away, not feeling the need to mention my own version of clueless screaming backyard participation (plastic bat and all) with other bellringers.
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Date: 2009-05-20 03:39 pm (UTC)no subject
Date: 2009-05-20 06:34 pm (UTC)